Well, at the risk of sounding like a total Nintendo fanboy: I’m delighted with the Wii! By virtue of some late night queuing at a 24hr Tesco by Pete on Thursday, we picked up a couple of consoles, and Zelda/Rayman. I’ll leave Pete to give his impressions of Zelda, I’ve been looking at Rayman and Wii Sports.

Basically it’s been a great experience right from the start – install went smoothly; all the parts feel solid and well constructed. The Wii-mote and nunchuck have a comforting weight to them, and don’t feel flimsy. I’ve been using the wrist-strap out of paranoia, but haven’t lost control of it yet. Last night was a wine fuelled extended session of Rayman with the girlfriend, who seems just as pleased and hooked by it as I am. I was watching her reactions to it carefully, as she’s really not much of a gamer; however she picked up the controls without any trouble at all, everything seemed natural and intuitive out of the box.

Rayman itself is a little esoteric, but the games make me laugh, and the lovely characterisation of the mad rabbits is fantastic. While I think it has some replay value, I think Wii Sports will probably get played more long term – especially with the fitness training thing. A lot of the Rayman mini-games and Wii Sports  games involve energetic movement, we were having to take it in turns to play as after a few we were out of breath!

Only minor gripe so far has been the fact that the News and Weather channels are offline, and that the Wii Shop channel failed to connect first time round. Other than that the experience has been great, and I’ll certainly be buying at least another Wii-mote (probably with the Play game) for multi-player fun. The girlfriend will probably be taking it to her family over Christmas as well for some fun games too.

Anyway, fan-boy ranting aside, I predict a glowing future for the Wii, and development on it. While the unique control mechanism is interesting and well implemented, I don’t see it standing in the way of traditional console gaming – since you can get just as much control from the wii-mote/nunchuck pairing even without using the motion sensitivity of the controls. I’d love to have the opportunity for us to develop on the platform, but we shall have to see what pans out.

This news about the initial sales figures of the Wii amused me more than a little this morning. So far, pretty much all of the launch titles for PS3 have been unimpressive to say the least. I haven’t got my hands on either console yet, but Zelda, Rayman and even Wii Sports are all looking good, and I’ll be out on the 8th to try and pick up a Wii for myself and Pete. If the Wii’s sales momentum keeps up, it will be looking to eclipse the XBox 360’s by sometime next year, but unless some serious fan support (and better production rates) shows up, the PS3 is looking like a poor cousin. I’m wondering how much of a co-incidence the timing of the Gears of War release is – given that its a much more impressive title for the 360 than I’ve seen to date. We shall have to see how it pans out, but I’m sticking by my early bet on Nintendo.

Its been quiet on the posting front recently, mostly because I’ve been working overtime on my contract role, with various planning and build automation things occupying the extra time. But I’m taking some well deserved time back in the home office this week, and tackling the pile of paperwork that has accumulated in my absence. Double curses to the inland revenue now that I have to deal with VAT returns as well as payroll and corporation tax. When the CBI are complaining about the massive tax burden the UK industry is bearing, they’re talking not just about the amount of tax, but the sheer size of the administration required to keep up with all the obscure rules.

Please note, we’re shifting mail providers just now, so if you send an email and it bounces, please wait a couple of hours and re-send. Thank you.

Update: This should be all working now, if not please comment here. For those interested, we shifted to using Google Mail over Dreamhost’s internal email; mostly because that was the interface I used most when browsing, but also because it means Dreamhost isn’t a single point of failure for us. If DH is down, people can still mail me, and if Google is down, I can use this blog or DH mail as a backup.

We have a winner! Got to love that Potatamoto guy.

Pete and I have been banging our head against tools, makefiles and cross-platform compilation this last week, along with a continuing spree of unit tests. Barco time is sucking up my 9-5 day, but I’ve been working while commuting, and doing paperwork in the evenings. Speaking of which, its time to figure my way round our first VAT return.

Game of the week has to be the Battlefield 2142 demo – big stompy mechs in a combat scenario = much squishing and crunching of bones. Fantastic!

Greg Costikyan announced the other week that the site is now ‘real’ (i.e. bugs are now proper bugs, and not just beta flaws ;-)), so I’ll drop in a link here.

I’ve been browsing the site, and found a bunch of games I want to try, which is surprising, given my cynical take on games these days. Not a lot of time to try though, so I think it may have to be relegated to the 30 minutes on the bus in the morning (I’m at Barco for a brief spell).

I’ve been playing Defcon (available through Steam) a bit – lovely classic game, simple concepts but which combine together to become radically complex when played. I can’t even begin to get my head round some of the strategies needed to be a good player, so I settle for massive early strikes which makes me think I’m doing well, only to be crushed mercilessly by the retaliatory strike. D’oh!

Also got the Battlefield 2142 demo yesterday for a quick blast – looks good, and a decent successor to Battlefield 2 (which has also sucked away some of my precious gaming time). I’ll probably pre-order it, although I’ve got to order a Wii first. Hopefully the rumours of increased production rates are true and the queues for a console will be diminished. Big slap in the face to Microsoft and Sony if that’s true – normally the news is that production rates are less than hoped. I’ve given up bothering on Sony’s continuing stupid press releases and general fumbling of the ball, you can find that elsewhere.

Randomly bumped into one of the few people I’d lost touch with since VIS on the bus last week – Jonny Dobson the director/head of programmer/etc. Still in the industry as an independent (Insurgent Games with Craig Hunter), keeping busy doing consulting work. Yay for a Edinburgh games success story.

Very funny Mac Hall today – describes pretty much every new game artist’s desk.

A mixed bag of work the last couple of weeks, small amounts of work on lots of different projects. Unfortunately Brave came back again, so submission 1.02 had to be made; cross fingers that it goes through okay this time, as the only big bugs remaining were all caused by what seemed to be a faulty burn of the discs.

The only thing that stands out of note is the time I’ve spent writing unit tests for a lot of old code. While I can’t hope to get full coverage on such a large body of work, it has been quite an eye opener. Two major bugs, and a few minors which just never came up (or the code which exercised them managed to work around it in some way). Now I throw up my hands and admit – one of the majors was mine, but everyone who wrote this stuff should have known better. Anyway, a very poignant  reminder of just how useful test driven development is.

For reference, we’re using UnitTest++ by Noel Llopis and Charles Nicholson. Very nice – lightweight, took me 10 minutes to get integrated and compiling a test against our code, and has continued to do its job well through writing 100+ tests now. All in all exactly what a good tool should be – doing its job without me ever having to be aware of it.

Well, its time for the Monday morning spam trawl of the web-site. Akismet has been doing a good job of catching blog comment spam, but I still have to deal with the dozens of weekly bogus forum registrations by spambots. Oddly, they don’t post anything, just register; but I don’t want the forum memberlist to consist almost entirely by fake accounts. I suspect quite a few of them are actually searching for phpBB forums on outdated/vulnerable board versions. We keep pretty up to date on our versions, but I don’t think the bots discriminate.

Still, it’s something to do while on hold to Pipex to see about getting some resolution on this regular connection drop-out we’ve been getting. There are few things more frustrating than getting 90% of the way through uploading a 1.5GB submission image and having the connection drop.

Only news really worth commenting on is Sony’s PS3 delay in Europe – that’s really going to hurt them this generation. The PS3 is already massively over-priced, any more reasons not to buy it will wipe further swathes off the number of units they finally sell. As it stands, PS3 is difficult to programme, more difficult to get concept approval on, more expensive to buy, and not likely to gain any significant purchase on the market until late next year. So not many compelling reasons to work on a title for them now then. My money’s still on Nintendo for the most effective return on your game development pound.

So I felt it would be churlish of me to miss out on this conference, seeing as its all of about 20 minutes from our front door, and provides some opportunity for networking with other people. Not as much variety of talks as Develop, but at least there are no worries that I might choose the wrong track to attend and miss out on valuable talks.

Day 1

So aside from a fire alarm that left us outside of the Royal College of Physicians for the better part of an hour, this day was most enjoyable.

Keynote – View From The Top by David Gardner of Electronic Arts. Some predictions of the future – nothing particularly surprising or radical there. In-game advertising is a fact of life – we should deal with it. The rise of girls in gaming is coming [but then people have been saying that forever]. User generated content is key – multi-tasking users like to play games and use other content; as a demonstration he showed in-game ESPN footage and live radio – they want people to be getting that content through the console rather than having a TV (or PC) running in the background serving that content.

The Wall Street View by Edward Williams: echoed thoughts from “Money for non-suits” at Develop. Investors like predictability, stability, and profits (pretty much in that order). Basically they like large companies who gain stability through diversification, so that even big flops don’t significantly hurt earnings [that would be Take Two out then]. They like companies with muscle who push to expand the market. On that basis, they like mobile lots, based on massive ‘install base’ figures and perception of growth. I don’t agree with this one, but that’s based on my (probably biased) view of the mobile sector.

Games That Heal, chaired by Ben Sawyer from Serious Games: Serious games guru, pushing use of games in medicine, teaching and e-learning. Talking about the massive budgets available (far beyond the average game development budget) and corporate/government’s increasing desire to make use of games development existing technology and skills. Interesting example was the re-purposing of Full Spectrum Warrior to help combat post traumatic stress disorder in Gulf War victims.

So You Think You Know Games, presented by Nick Parker, Analyst: Talking about development past, present and future. No real surprises here, but interesting nonetheless. There was talk about Nintendo DS and Wii having sales pushed by a few innovative titles, compared to PS3 and 360 more likely to publish more traditional titles. No predictions as to the winner, rather voicing the expectation that households will buy multiple platforms: PS3/360 and another, as the different consoles target different markets, especially with the PS3/360 focus on multi-media. Personally I think the multi-media focus is a mistake – the majority of people aren’t tech-savvy, I don’t believe they’re interested in figuring out how the box under the TV works – they want to push in a disc and have it work. They know if they put a music disc in a hi-fi it plays, a DVD into a DVD player and it plays, a game into a console and it plays. Whether HDTV and Blu-ray/HD-DVD will change that dynamic I don’t know, but my gut feeling is that the multi-media support will remain chronically under-used, as it was with the PS2 generation.

Ofcom’s PSP And The Era Of Public Service Games, chaired by Peter Phillips of Ofcom: This talk was very interesting, although I have a bit of a vested interest in this sector. Basically it was to highlight the existence (or potential existance) of a public service publisher – essentially a vessel for routing public money to content developers, in the same manner that the BBC receives money to make quality content. There is an acceptance that the BBC is not in the best position to produce interactive content for the public benefit – as its a little stuck in its ways. There is also acceptance that interactive media is on the up, just as linear television is on the way down.

Games to make you cry: best presentation of the day in my opinion. Its patently not true to say games can’t make you cry and that because of that they’re not serious art. I can think of three times without breaking a sweat where games have made me feel something intense while playing. Knights of the Old Republic – while trying to turn Bastila back from the dark side, I had almost managed it but then failed and had to kill her – a real sense of loss; Homeworld, when the pilot of the ship is crippled late on in the game – sorrow and anger; and Call of Duty, in the night assault on Carentan I was cowering behind a wall with a sergeant shouting at me to flank a nasty looking machine gun nest that had already torn lumps out of me – fear. The presenter came up with examples from her game history, but the point was clear – games can tug on heart strings, but game developers need to understand why, and how to do it properly; only then can we make games with real emotional impact. The presentation was also made more fun by me slyly watching Ken Perlin who was sitting next to me, working on some animation things on his laptop, very distracting!

Day 2

Convergence: Hollywood take

Rosanna Sun – Matrix game producer. Pushed by Wachowski brothers into game development from a film role. They were keen to have the game development tightly integrated into the development of the films. She noted difficulty in managing inter-medium dependencies (e.g. VFX are usually done late in film, but she needed them early for the game). Assets were done and re-done to work better with games, Film costumes/sets for example were developed far beyond what was necessary for normal film production because the game needed far more content than the film. She also noted a general push from Hollywood to get better creative integration between films and their licence games. No-one likes to see a great licence used badly in a cheap and cheerful game, which bears little resemblance to the tone and quality of the original.

Convergence: Literary take

The developers/writers of Interactive Alice presented here. Developed essentially as back story for film, they use various techniques flesh out the main character of the film through interactive media. The story of the childhood of the main character in the film is told, and gives depth and reason behind her actions in the film. They premiered the third episode of the story at the presentation; I must admit to liking the story, but not really the presentation. It seemed interactive only in the loosest sense of the term; supposedly this is consistent with the character development, but I was unconvinced. Apparently they plan to improve the interactive aspects in the future, and plan much more complex episodes of the content for the future.

Convergence: my take

Its vital to make good game, regardless of whether it’s well integrated with the film/book/television. Technology and medium of delivery is irrelevant, what matters is that the content is fun, engaging, and develop the story and characters.

Mobile talk

A fairly unconvincing talk from various mobile developers, touting the death of desktop/fixed devices, and the rise of portable devices over the next half dozen years. I find this hard to believe. They raised the point of mobility of data, and the rise of online storage systems for holding user content (see YouTube, etc.) They glossed over some fairly serious flaws in the model however, and came up with no convincing arguments to support the ‘death of PCs’ argument. Degenerated into a demonstration of some new phone the presenter had purchased the week before. However, the theme of content rather than technology was revisited here, and I’ll cover that in a more general evaluation of the themes in the conference.

Machinima

This was a fun presentation, if not very illuminating, and was given by the guys from Red vs Blue (who I’ve been a fan of for a long while). Basically they revelled in the wonderful worlds that games developers create as a background for their stories, and loved the fact that those complex and impressive worlds can be adapted by amateur film-makers to tell their own stories, at minimal cost. Great for the artistic medium certainly – especially with the rise of video sharing sites making it easy for good content to be widely and cheaply published. A good question from the audience concerned how we as game developers make it easier for machinimists to work with our games – the RvB guys asked for user-controllable mouth animation on a button, free camera control (within reason) and the ability to have characters all look at the same point (I’m sure its very useful for them, even though there’s no call for it in game). All very easy for developers to do, its just that machinima is the only reason to have such features, so they don’t tend to make it into actual games.

Ken Perlin

Probably the best talk of the conference for me – Ken is an engaging and interesting speaker, and a genius at animating emotion. He makes simple code to procedurally generate animations which I’ve seen animators take days to do by hand. If anything, I think this work is the kind of thing which can make content generation for next-generation consoles achievable in some kind of sensible budget. I’m not advocating getting rid of animators, but getting them to use procedural tools to make their content rather than hand animating the position of every single joint, every single frame would massively increase their productivity, and I think open up a world of new possibilities. I’d heartily recommend visiting Ken’s website, there are a wealth of little Java applets to demonstrate the sort of things which are possible.

BBFC/PEGI Rating talk

I skipped half of this while trying to see the Lord of the Rings Online screening (which I still missed as it was delayed), but the gist of it was covering the reasoning behind the ratings the BBFC/VSC give. I’ve always thought that we had a sensible ratings system in this country, and I don’t understand the US reluctance to go with a legislated approach. We do need to regulate what titles go to what age groups, and if a regulated system avoids some of the royal screw-ups that have gone on recently, then it should be the solution. A voluntary system is nice when it works, but provides little defence against trouble makers who want to see games banned, rather than regulated. As always though, the body regulating the ratings will never be able to make an exact science out of the system, the best they can hope for is to build a reputation for sensible, predictable decisions; and then when an unusual situation comes up, the public can rely on them to make a reasonable decision.

Educational talk

Basically this talk covered the large use of interactive entertainment as a means for teachers to improve their children’s learning. Figures quoted: 11% of teachers actively using games already, with another 40% actively learning and trying to use games. Teachers will use off the shelf titles, custom built software, free software, whatever it takes and whatever suits their needs at the time. A custom version of Myst is being developed which the teachers like, but even Zoo Tycoon is a valuable resource for primary children. Teachers want anything they can to help get the message across, and there is a lot of resources beginning to be pushed into making games specifically to fit their needs. In addition, there is software available which allows the teachers themselves to author content which they can then use and share.

Reservoir Dogs screening

Exactly what you’d expect. Lots of gun-play, references to the film. The lack of voice actors from the film jarred a little, but not terribly so. They made a big deal over the choice the user has to play professionally or like a psychopath (based on body count basically) – didn’t seem like a huge deal to me but it’s nice to have a choice in your play style, and have it affect the game’s outcome (even only in a limited manner). Some basic driving gameplay in there as well. All in all a solid looking title, but didn’t make me think – “wow I want to buy that”.

Summary

Out of the whole conference, I picked up on two main themes (both from the presentations and from talking to people).

1. Don’t mention the MMOs. Seems the development community is no longer favouring MMO games as ‘the way of the future’. Most likely due a combination of the difficulty of competing with World of Warcraft and the doubtful financial feasability of building a decent MMOG. It costs a lot to make a massively multiplayer game, and unless you get it right, it will suck cash faster than it generates it.

2. Content is king. No-body really cares which box wins, nor is anyone sure who to bet on. What matters is making the right games, and delivering them to the consumer. The means of delivery is evolving, and is no longer as simple as a box on a shelf in a shop; X-Box Live Arcade, downloadable content, episodic delivery, all change the classic model. That big up-front cost and then forget about the title is no longer going to cut it – the massively rising costs mean that even a single title has to be milked for all its worth to try and break even (so handheld/online tie-ins, ports, additional content). To me this smacks of desperation in an attempt to save dwindling profit margins, but in the absence of anything better to recommend, heck why not?

Been a while since the last post, due to a frantically busy week followed by a holiday in Glencoe. A rough timeline would go something like: Find out Brave failed submission, attended EIEF (round-up post to follow, albeit rather too late now), off to Dundee to attempt fixes for Brave bugs, day of meetings relating to new contract, burning another set of submission discs for Brave, off to Glencoe (beer, hill, ache, beer, smaller hill, ache, wine, wine, Loch Ness, beer).

We’re still waiting to go forward with the next contract, so groundwork continues apace. Not much else from the world outside, other than the news this morning that Infotari is to fight their Nasdaq de-listing. I’ve got to say, I think the games industry is really too unpredictable for companies to do well on the stock exchange. While its easier for industry people to predict and understand the nature of deadline slips, missed sales targets, etc., the Wall Street investors react violently to things they don’t understand, and can wipe huge chunks off a public company’s value over an entirely foreseeable minor failure. Of course, I’d say that Atari’s loss in stock value is probably due more to long term problems than single slips, but I’m just an uninformed observer. Its likely that they’re just one more big publisher feeling the long term pinch of the things I’ve ranted about before – rising costs and constant returns.

This piece can basically be summed up as: “we need to find more ways to make money out of games, otherwise we’re screwed”. A sentiment I can heartily agree with, although its possibly just my biased spin on the article.

Also, this news on Visual Science is uplifting, if a little late. Hopefully the staff stand a better chance of getting some of their unpaid wages/redundancy on the back of this.

A quieter week this last week, thankfully; mostly dedicated to laying the groundwork for future development. You know the sort of thing, getting all the tools upgraded to the latest versions, sorting out a development structure, and so on. Okay, well if you’re a programmer you know the sort of thing. Suffice to say it’s an interesting challenge to make old code sit nicely in a structure which promotes re-use. So new code doesn’t disappear into a bottomless pit and become wasted work.

Some experimentation was done also to see if a C#/Lua mix would work well in new tools. Short story – it would, but it won’t integrate very well with C++. So tools which need to co-exist with the current engine will have to stay as Lua/C++ instead. There may be scope for a C# tool in the future, but not just yet.

I also spent an hour or so answering questions for an old compatriot (Phil Vaughan, now a lecturer at Duncan of Jordanstone in Dundee) on the old art/code divide, and what it means as team sizes grow larger and larger. I’ll probably polish up and condense what was said and post it up here as a rant, although the gist of it is “agile yay, monolithic management in big teams nay”. I’m a firm believer that game development teams just don’t scale well beyond 20 people, and any project that needs more resources than that should be worked in such a way that it can be done with several smaller teams.